The Unseen Shadow in a Love Song: Deconstructing Ilaiyaraaja's 'Deiveega Ragam'
- Priya Parthasarathy

- 3 days ago
- 4 min read
We've all heard melodies that, once they touch your ear, refuse to leave your mind. They linger, whisper, and echo, creating an imprint so profound it feels almost supernatural. We call them 'haunting melodies' – not in the ghostly sense, but in their ability to occupy our thoughts like a persistent spirit. Today, in our 200th episode of "Oru Naal Podhuma," we’re dissecting one such masterpiece: 'Deiveega Ragam' from the 1980 film Ullaasa Paravaigal.
You might be thinking, "But isn't 'Deiveega Ragam' a beautiful romantic track?" And you'd be right, on the surface. But beneath its tender lyrics and visuals lies a deliberate musical architecture designed to create a very specific, and deeply unsettling, emotional impact. The genius of Ilaiyaraaja lies in crafting this love song to double as a profound musical expression of trauma.
The Story Behind the 'Haunting'
Ullaasa Paravaigal, starring Kamal Haasan, Rati Agnihotri, and Deepa, tells the story of a wealthy young man (Kamal) who falls in love with a village girl (Deepa). Their love is tragically cut short when Deepa perishes in a house fire, leaving Kamal's character severely traumatized. He develops PTSD (Post-Traumatic Stress Disorder), triggered by the sight of fire, sending him into violent rages.
Crucially, in these moments of distress, a specific humming from 'Deiveega Ragam' plays in his mind. This narrative requirement demanded that the song, despite its romantic setting, needed to carry an inherent sadness and an unsettling quality. It needed to evoke a powerful, sorrowful memory – and that's precisely what Raja Sir delivered.
So, how did he achieve this? Let's break down the musical elements that transform 'Deiveega Ragam' into a truly haunting melody.
1. The Minor Scale: The Language of Melancholy
In Western music theory, minor scales inherently sound more melancholic, sorrowful, or introspective compared to their brighter, more uplifting major counterparts. For a haunting melody, choosing a minor scale is foundational to creating a disturbing, impactful soundscape.
Ilaiyaraaja composed 'Deiveega Ragam' predominantly in a natural minor scale. In Carnatic music terms, this closely aligns with Natabhairavi raga, though with a few carefully placed anya swaras (alien notes) that further amplify its eerie quality. As I've discussed in previous episodes (like the analysis of 'En Iniya Pon Nilave'), the Natabhairavi scale is adept at conveying loneliness and deep emotion.
The song's haunting humming, for instance, sustains on the notes A and C, firmly grounding it in the A minor scale and immediately setting a pensive mood.
2. Dissonance: The Unsettling Truth
Dissonant notes are those that clash or create an unsettled, tense feeling when played together. They are powerful tools in music to convey fear, anxiety, or unease. Raja Sir masterfully employs dissonance through the use of minor seconds – essentially, notes that are a half-step apart, creating a tight, almost grating interval.
Consider these lines from the charanam:
Sendhaazham Poovai Kondu
Singaaram Pannikkottu
Sendhoora Pottum Vaithu
Selaadum Karaiyil Nindren
Musically, if we look at the notes, Raja Sir introduces a G# here. While A minor scale typically uses G natural, the sudden appearance of G# adjacent to A creates that jarring, dissonant half-step. This subtle discord is prevalent throughout the charanam, effectively weaving an undercurrent of tension into the romantic lyrics. Similarly, the interplay between G and F# in other phrases contributes to this unsettling harmonic texture.
3. Hypnotic Notes: Drawing You In
A characteristic of haunting melodies is their ability to induce a trance-like or hypnotic state. Raja Sir achieves this by repeating certain musical phrases or notes, creating a cyclical, mesmerizing effect. Listen to the very beginning of the song, or the first interlude after the pallavi (1:13 - 1:18 in the track): the music seems to tug at your memories, pulling you into its depths.
The instrumentation here is also crucial. The use of instruments that create a "drag" effect (1:18 - 1:24) or those with a nerve-wracking, plucked quality (1:48 - 1:54) further enhances this hypnotic, almost unsettling atmosphere. These aren't your typical bright, cheerful orchestrations; they’re designed to permeate your subconscious.
4. Reverb and Echo: The Unseen Presence
Echo is the distinct repetition of a sound, while reverb is a rapid succession of echoes, creating a continuous, atmospheric "wash" of sound. In 'Deiveega Ragam', particularly in the humming and female chorus (4:15 - 4:21), Raja Sir applies significant reverb.
Why does this create an eerie effect? The sensation of an echo often feels like something unseen is nearby, mimicking or responding. When reverb is used on a chorus, it can create a feeling of being surrounded, an indistinguishable presence that heightens the unsettling feeling. It makes the song feel expansive yet claustrophobic, intimate yet distant – like a memory that looms large.
5. Jency Antony's Voice: The Raw Emotion in Deiveega Ragam
While Ilaiyaraaja gave Jency Antony many songs, her voice in 'Deiveega Ragam' is perfectly utilized to amplify its haunting essence. Jency's vocal quality often carries a distinct nasal tone, not an open-throated delivery. This gives her voice a natural vulnerability, a delicate fragility, and a profound sadness.
This "pinched nose" effect makes her rendition feel incredibly intimate and emotionally raw (2:20 - 2:24). It's a quality that can deeply impact the listener, resonating with a sense of poignant melancholy.
The Sum of the Parts
Individually, none of these elements are inherently 'haunting.' But when expertly woven together by a master like Ilaiyaraaja, they create a synergy that produces an intensely emotional and unforgettable experience. 'Deiveega Ragam' isn't just a beautiful song; it's a testament to how music can serve a deeper narrative purpose, evoking complex emotions and even depicting the internal struggles of a character. It remains a melody that truly haunts the mind, a divine raga that never fades.
What are some of your favorite 'haunting melodies'? Share them in the comments below!





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