Naalai Namathe: Mellisai Mannar M S Viswanathan's Remake Masterpiece
- Priya Parthasarathy

- Nov 26
- 4 min read
Remaking a film is always a tightrope walk, but remaking the music is arguably the trickiest feat of all. The original film might be in a different language, and if you simply port the songs over, the local audience might not connect. But if you dare to create entirely new songs, the cry immediately goes up: "It's not like the original!" It's a truly delicate balancing act.
Yet, one maestro consistently ignored the pressure of the original's success, stamped his unique style on the music, and delivered multiple chartbusters in Tamil remakes: the Mellisai Mannar (King of Melodies), M. S. Viswanathan (MSV).
His work on the songs for the remake of the Hindi classic Yaadon Ki Baaraat—a film that captivated all of India—produced timeless jewels. And one song, the title track itself, is a diamond.
Our Verdict: TMS-SPB Dual Voice Magic 🤩
📽️ From Yaadon Ki Baaraat to Naalai Namathe (1975)
The film we're analyzing is the 1975 MGR starrer, Naalai Namathe, which saw the legendary actor in a dual role. It was a remake of the massive 1973 Hindi hit, Yaadon Ki Baaraat (YKB)—a perfect masala blend of youth, romance, action, and motherly sentiment.
YKB's songs were universally popular. Even in Tamil Nadu, you couldn't find a light music stage show that didn't feature "Chura Liya Hai Tumne Jo Dil Ko." Remaking songs that popular places immense pressure on the music composer.
But MSV was unfazed. For Naalai Namathe, he composed music that bore no resemblance to the Hindi originals. Every song was fresh, and every song was a hit. Specifically, the song "Anbu Malargale" (The Flowers of Love) was structurally and melodically far removed from the Hindi title track.
To appreciate MSV's genius, we must first understand the song’s emotional situation.
🔑 The Power of the 'Password Song'
If there were a genre called "Password Songs," this song would be its captain. "Anbu Malargale" serves as the secret code meant to reunite a shattered family.
The story opens with a happy family singing this tune together ("Anbu Malargale"). Villains tear the family apart, murdering the parents. The three young brothers are separated: the eldest becomes part of a gang, the second is raised by a wealthy family, and the youngest is raised by a maid and grows up to become a stage singer.
At every performance, the youngest brother sings two lines of the family song, hoping that one of his missing siblings might hear the counter-melody and reveal themselves. The crucial detail: No one else in the world knows this song.
This situation demands a song that can convey multiple layers of emotion:
The pain of separation.
The hope of reunion.
The subtle weariness after years of searching.
The cherished memory of their mother.
MSV delivered all these emotions perfectly.
🎤 The Vocal Magic: SPB's Longing vs. TMS's Roar
The stage singer is played by Telugu actor Chandramohan, while the other two brothers are played by MGR (one with slightly darker makeup to differentiate his character). The performance starts at a nightclub. Chandramohan announces that this "password song" can only be completed by two people and begins to sing. The young, emotional voice is that of S. P. Balasubrahmanyam (SPB).
The song starts with just the guitar and SPB’s voice. Notice the difference from the Hindi version, which starts abruptly. The Tamil version uses strategic pauses and gaps after the opening lines ("Anbu Malargale"), creating a genuine sense of waiting and anticipation—is anyone going to respond?
SPB's voice conveys two things simultaneously: Longing for a response and a quiet despair that today will likely be another disappointment.
The Dramatic Turn
The youngest brother sings the first few Charanam lines:
தாய்வழி வந்த தங்கங்கள் எல்லாம் ஓர் வழி நின்று நேர்வழி சென்றால் நாளை நமதே...
(If the golden ones who came from the mother's path / stand together on the right path / Tomorrow is ours...)
So far, it’s just SPB and the guitar—he's not exerting much effort because he doesn't expect an answer. Then, a quick flashback of the happy childhood scene runs through the eldest brother's mind, perfectly scored by MSV with a simple but high-impact flute melody leading into the interlude.
The Goosebumps Moment
This is where the magic happens. One of the MGR characters (the second brother) stands up and begins the counter-melody with the iconic line, "Naalai Namathe." In steps the majestic voice of T. M. Soundararajan (TMS)!
The contrast is stunning: SPB’s soft, youthful longing is replaced by the bold, authoritative, and experienced roar of TMS. This vocal duality perfectly represents the "elder brother" energy.
The fascinating detail is in the lyrics: TMS enters by repeating the lines SPB just sang. The singer on stage (Chandramohan) is happy but hesitant to embrace him, as anyone could have repeated those common lines. It's when MGR sings the next unique line:
பாசம் என்னும் நூல் வழி வந்த வாச மலர்க் கூட்டம்...
(The fragrant flower gathering / that came through the thread of affection...)
...that it becomes the two-factor authentication! The youngest brother realizes it’s truly his sibling, and his face lights up as he leaves the stage for the tearful reunion. The transition from the solo SPB voice to the grand, orchestral entry of TMS is where the goosebumps are guaranteed for the listener.
The M S Viswanathan Factor
The success of "Anbu Malargale" is its dramatic music. The beats are a peppy 4x4 rhythm, making the reunion celebratory. The Hindi song is far softer and more nostalgic, but less dramatic. MSV knew the Tamil audience: we are driven by high emotion (Paasakkara Payaluva). The music had to swell, the strings had to soar, and the feelings had to overflow. That is precisely what MSV delivered, especially in the orchestral interlude reflecting the elder MGR's controlled emotions.
As lyricist Vaali wrote:
அந்த நாள் நினைவுகள் / எந்தநாளும் மாறாது. (Those day's memories / will never change.)
This song ensures that those golden memories of Tamil cinema will remain evergreen.
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